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<channel>
	<title>Richard Rodriguez Exhibition Design</title>
	<link>https://richardrodriguezart.com</link>
	<description>Richard Rodriguez Exhibition Design</description>
	<pubDate>Tue, 18 Aug 2026 18:50:59 +0000</pubDate>
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		<title>Hang an Artwork</title>
				
		<link>https://richardrodriguezart.com/Hang-an-Artwork</link>

		<pubDate>Tue, 18 Aug 2026 17:32:32 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/Hang-an-Artwork</guid>

		<description>Hang an Artwork
Video SequenceSummer 2026







Hang an Artwork is a reflection and portrait of a task I've repeated countless times over the past 15 years of working in galleries and museums. Starting with the example of the "finished product" to inform the process, I work through the standard steps required to hang and artwork.&#38;nbsp;This video sequence&#38;nbsp;was planned as a perfect loop, where the first clip is cut from the last in the timeline. This loop reinforces the concept, by allowing the video to be repeated infinitely without pause.&#38;nbsp;The style of this video is inspired by Van Neistat's productions for Tom Sachs and Museum of Modern Art's Series&#38;nbsp;At The Museum.&#38;nbsp; 

I see this video as a conceptual foundation for tutorials, instructional videos, and process documentation that I would pursue with these newly practiced video skills.


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	<item>
		<title>Leaving for the Night</title>
				
		<link>https://richardrodriguezart.com/Leaving-for-the-Night</link>

		<pubDate>Tue, 18 Aug 2026 18:50:59 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/Leaving-for-the-Night</guid>

		<description>Leaving for the Night
Video SequenceSummer 2026







This is an exploration of how light can be the main character. This is a dramatization of the daily task of closing the museum at the end of the day. A very fun, satisfying, tactile movement is toggling the second floor hallway lights off. There's nothing special about them, but seeing the hallway darken from one end to the other in steps is cinematic. I started there, and made a light narrative using the basement's&#38;nbsp;dramatic lighting condition, where we have to wait for the elevator in the dark. The red glow in this deep dark space has always been haunting, and the elevator disrupts that space with its horrible sounds. We frequently get asked if there are ghosts, or if it's haunted...




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		<title>AT WORK</title>
				
		<link>https://richardrodriguezart.com/AT-WORK</link>

		<pubDate>Sat, 09 Nov 2024 20:49:22 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/AT-WORK</guid>

		<description>AT WORK

Photo Essay


This is a project concepted in 2011, while studying photography and working at a flour mill. Viewing historical photos in the plant office, experiencing the architecture of industry, and having academic discussions parallel to that was inspiring. The architecture of industry can be a vast space without scale. Using the image of a person to describe these monuments is perhaps the most impactful measure.&#38;nbsp;

The human aspect of this project is personal. Having the opportunity to work alongside my father in such an environment, allowed me to understand the effort he makes to provide for his family. It also allowed me to know other great men working at General Mills, some of whom have or make family of their coworkers. This deep tie to the place of work is unimpeachable, but rarely discussed or documented.




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		<title>All The Small Things</title>
				
		<link>https://richardrodriguezart.com/All-The-Small-Things</link>

		<pubDate>Thu, 06 Mar 2025 22:16:01 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/All-The-Small-Things</guid>

		<description>All The Small Things Exhibition Design





Even the smallest artifacts can tell big stories. The massive collection of the UWF Historic Trust is made up of hundreds of thousands of individual objects. The idea to display a selection of the smallest of them came from the curiosity the staff experienced opening the “small objects drawers” in the collection storage area. We wanted to bring a bit of that wonder and density of objects to the visitors. As an off-hand idea, it grew into a logistical circus. More objects meant more cases, and more mounts. As we developed the idea, we looked to our own homes’ curiosity cabinets, IKEA’s Billy Bookcase. Using the modular design as a structure, we were able to make use of the grid of sections in a delightful way. Each shelf was treated as its own case, getting a group of objects, graphics, and sometimes a group mounting solution.&#38;nbsp;


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Nam semper semper ex In porttitor pellentesque sapien</description>
		
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		<title>Perdido</title>
				
		<link>https://richardrodriguezart.com/Perdido</link>

		<pubDate>Sat, 09 Nov 2024 21:23:51 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/Perdido</guid>

		<description>Perdido
Exhibtion IdentityFall 2023 



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	<item>
		<title>The Members Show 2025</title>
				
		<link>https://richardrodriguezart.com/The-Members-Show-2025-1</link>

		<pubDate>Thu, 06 Mar 2025 21:37:52 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/The-Members-Show-2025-1</guid>

		<description>The Members Show 2025
Internship ProjectTAG TEAM 2025



The TAG TEAM 2025 Internship worked to produce an Exhibition Identity for the Pensacola Museum of Art’s Annual Member’s Show. The designers for the project were Benjamin Nguyen and Lalita Estrada, University of West Florida Graphic Design majors. The exhibition identity consisted of a dual-color system, based around a goal of creating a large-scale lenticular print for the exhibition title graphic. The designers choice to create 3D printed letterforms that interfaced with a built structure for the lenticular effect, allowed for the title of the exhibtion to be viewable at all angles in addition to contrasting the printed graphic. 




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Nam semper semper ex In porttitor pellentesque sapien</description>
		
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		<title>Makerspace Collaborations</title>
				
		<link>https://richardrodriguezart.com/Makerspace-Collaborations</link>

		<pubDate>Sat, 09 Nov 2024 02:00:29 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/Makerspace-Collaborations</guid>

		<description>Makerspace Collaborations
Mentorship and CollaboationFall 2023 - Summer 2024 
As the Coordinator for the University of West Florida’s SEA Makerspace in 2024, I was able to faciliate projects for students, faculty, and staff. Developing solutions on how a makerspace could integrate into the UWF Art and Design Department’s cirriculum was a personal goal. Investing in developing processes for facilitating whole-class projects was primary to the success SEA Makerspace achieved this year. Using the existing framework of the makerspace 

students enrolled in Printmaking, Sculpture, Ceramics, and Graphic Design  we able to engage in digital fabrication for class assignments and grant funded academic projects.


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	<item>
		<title>Celebrate 70</title>
				
		<link>https://richardrodriguezart.com/Celebrate-70</link>

		<pubDate>Sat, 09 Nov 2024 01:28:36 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/Celebrate-70</guid>

		<description>Celebrate 70
Campaign DesignSummer 2024 
Campaign Design for Celebrate 70 at the Pensacola Museum of Art. Founded in 1954 as Pensacola Arts Center, the Pensacola Museum of Art has been a cherished institution for fine arts in the region for seventy years. The museum wanted to recognize this with an exhibition titled, Celebrate a History of Collecting. This idea grew to a year-long campaign to Celebrate 70 with a series of exhibitions, events, charitable donation drives, and a publication to enshrine the moment in its organizational history. The existing logo was nested into an assembly of Futura PT Heavy, colored to represent the organizational pedigree the museum has grown to have with the University of West Florida.


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	<item>
		<title>YOUTH ART FOCUS 2025</title>
				
		<link>https://richardrodriguezart.com/YOUTH-ART-FOCUS-2025</link>

		<pubDate>Sat, 09 Nov 2024 20:49:22 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/YOUTH-ART-FOCUS-2025</guid>

		<description>YOUTH ART FOCUS 2025
Internship ProjectTAG TEAM 2025

The TAG TEAM 2025 Internship worked to produce an Exhibition Identity for the Pensacola Museum of Art’s Annual Youth Art Focus. The designer for the project was Jasmyn Prevatte, a University of West Florida Graphic Design major. The exhibition identity incorporated hand drawn type, inflated into a balloon-like form in Blender, an open-source 3D design software. It was then segmented and 3D printed before being assembled and painted. Vinyl background graphics were adhered to the wall, and the finished dimensional letterforms mounted on top.&#38;nbsp;


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	<item>
		<title>EVOLVE</title>
				
		<link>https://richardrodriguezart.com/EVOLVE</link>

		<pubDate>Thu, 06 Mar 2025 21:59:22 +0000</pubDate>

		<dc:creator>Richard Rodriguez Exhibition Design</dc:creator>

		<guid isPermaLink="true">https://richardrodriguezart.com/EVOLVE</guid>

		<description>EVOLVE: Collective Odesseys in Clay
Internship ProjectTAG TEAM 2025



The TAG TEAM 2025 Internship worked to produce an Exhibition Identity for the Art Gallery at the University of West Florida. EVOLVE was an exhibition of student ceramics work, and accomplished through a collaboration between the museum studies class and TAG. TAG Team Designer Parker Hassebrock designed an exhibition identity and environmental title wall installation. His work was accomlished with the help of SEA Makerspace’s laser engraver to cut colored acrylic sheets. The color is representative of traditional korean and dutch pottery glazing, but with a very contemporary material.


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